Iago as the cunning villain of the play Othello

Iago is unity of the most complex and interesting characters in this playfulness. He is in the Venetian army and is General Othellos trusted aide. He is married to Emilia, who is Desdemonas (Othellos wife) c atomic number 18 taker. Iago is well acquainted with Othello, Rodrigo Cassio and Desdemona, and hence all these puppets are infected by his evil manipulations. Iago uses several linguistic and psychological techniques to pass his polish offs. Now I shall discuss Shakespeares portrayal of Iago, his manipulating techniques, and how the hearings respond to his portrayal.The time, in which this play is set in, the Venetian society is racial against coloured people. The role of women of Desdemonas position was non equal to that of the men. They were the properties of their fathers, to be sold into marriage, and interracial relationships were considered disrespect to the family. They were meant to be innocent virginal, saintly souls. Many themes are introduced into the play Oth ello, which mostly study the contrasts in life. There is Darkness and Reality, Appearance and reality, Love jealousy and hatred.Iago has ovalbumin skin colour, simply has a dark black and merciless heart, where as Othello has black skin, and has a noble and honorable heart, a white heart. Iago is portrayed, as the symbolism of evil but is still solely a merciful in reality. Iago is jealous of Cassio and yet understands acknowledges it. Othello loves Desdemona, yet when poisoned by Iago he starts to construct jealous and later on hates her, which is proved from his attempt to murder her. Iago is a real cunning villain of the play.He does non attack the characters physically, but he seems to be gifted with a demon manage business leader of evil intelligence, which allows him to evaluator a persons character quickly, and hence allow him to, circumvent them into dget a continuously narrower path, to their demise. He uses carefully ruling up vulgar, brash and words, which sh ock his listeners and the audience to be enraptured into his thoughts. All this makes Iago maybe the most interesting character of the play, which one would think un kindredly since Othello is the hero, and Iago is the villain.Iago is portrayed by Shakespeare as a racist character, and since there is only one coloured man, his racism is hence focused with full force onto Othello. similarly since he is cunning, and does non resort to physical violence to set aside Othello, he uses the fact that Othello is black to supporter accomplish his destructions, by using brash, disgusting, and ill-mannered delivery when discussing about the sexual conquest of Brabantios white daughter by the black Othello.Brabantio was hence horrified to hear from Iago that a barbary horse (Othello) was qualification the living creature with two derrieres with Desdemona. Here Iago is saying that Othello is having sex with Desdemona, but notice the language he uses to shock all the people around him, and since his main goal in the play is to destroy Othello, these words aid him, by premiere disrespecting Othello, and reminding everyone he is a black man, and hence has the barbaric manners that were thought typical in the society those days.The audiences response to this racist man would not have seemed different because in those days slavery and racism were very real and it was abnormal not to be racist, as a truss would have been associated with brutality, ignorance evil, and sexual immortality. Iago hates Othello and is looking to seek his revenge, because Othello gave Cassio the hypothesise that he thinks he deserves. He uses racist words such as the moor and insults him behind his back by qualification fun of his thick lips. Shakespeare has also made Iago ask I hate the Moor many a time throughout the play.Although Iago does not dare speak these vile descriptions near Othello, since it would not be a cunning card to play as it would make all the crystallisation plate s delicately spinning upon his fingers to waver and crash to the floor. He uses insults such as old black ram when talking to Brabantio against Othello to rouse him against Othello, and possibly have him hanged for making the beast with two backs with Desdemona. We can see by this that Iago is using these racist words to make other characters hate Othello, which is very cunning, because it brings down his news report as an honest and noble man.Also the audience would have in all likelihood shared these prejudiced thoughts by Iago, and hence approved of the villain, which is rare for Shakespeares clip of stories, where he usually makes the hero approved by the audience. Iago is an expert judge of character, which gives him an advantage. One use where he utilizes this example is with Roderigo where he knows how madly in love he is for Desdemona, and acts as if he is benefactoring her in making Desdemona his, when he is actually fooling him into giving him money for a job he is no t doing.Cunningly Iago says even says that thus do I ever make my fool my purse where Roderigo is the fool, and by manipulating this fool he is making money to add to his purse. Iago is portrayed by Shakespeare as an opportunist. One example would be when Cassio is asking for Desdemonas help for reuniting him with Othello, but and then when Iago and Othello come, he walks eat up to avoid confrontation. Iago, knowing Othellos greatest weakness to be Desdemona. He undermines Othellos religious belief in her by saying Ha I like not that.This is extremely cunning and dastardly of Iago, to have used this opportunity of what seems like Cassio sneaking away after having a romantic talk with Desdemona, to destroy Othello, by making him doubt his faith, in love. But what makes Othello trust Iago so much in the first place the audiences might wonder. It is because Iago is portrayed by Shakespeare as honest Iago and Iago repeatedly says these words in a diminished manner, to act as propaga nda, so that people do think him as an honest and faithful man.though this is not true at all, this is salutary another of Iagos cunning techniques in manipulating people, he manipulates their judgment of his character. Iago is the ultimate deceiver, during the play, excluding the end rarely does anyone question Iagos true motives. This is because through his cunning techniques, of putting up false, yet believable fronts, he does not allow them too. He uses Roderigo by deceiving him with lies of how Desdemona is close to being his, and fools him and keeps on mining money out of him.Though Roderigo later begins to question Iago. I think it is getting a modus operandi scurvy and begin to find himself stuck in it and he also says that Iago is commencement exercise to get stuck in his intricate web. Iago, realizing the danger, with his quick mind, and a immortal like intelligence he quickly tries to prove that he is faithful to Roderigo by promoting and agreeing to murder Cassio to a id Roderigo aim of getting Desdemona, since Cassio is his competitor for Desdemona. Roderigo agrees at once, and he himself becomes stuck in Iagos web. This example shows us how cunning Iago is, and what a good improviser he is, at such evil deeds. Iago uses characters weak read/write heads to destroy them.Othellos weak point is Desdemona, and his faith in her love, as he says my life upon her faith Hence Iago targets this. He undermines Othellos faith in her by feeding him lies, about her having sex with Cassio, and how he Cassio later dreams of those encounters. This throws Othello into such a jealous rage he goes crazy, and then when he encounters Desdemona, he does not believer her, because he is caught up in the imagery given by Iago of her in bed with Cassio. Iagos linguistic force is something of amazement, and this proves he is the most cunning and evil character of the play.Iago has no guilt, no(prenominal) at all. He destroys relationships, leads characters down paths w ith a terrible end, and even steals from his own friends. He is like a devil, and he has so many footling motives, it is clear, he truly has none at all, and is just a sadistic demon, who finds pleasure in creating anarchy. Iagos main aim in the play is to destroy Othello and his relationships. Hence he has to destroy other people too, to achieve the final aim. One of the characters he exploits, other then Roderigo is the gullible Cassio.He knew that Cassio could not handle his drink well, and becomes aggressive when drunk. Hence he persuaded him into drinking, and making him get into a fight, which led him to be fired from his position by Othello. Not only does Iago disgrace Cassio, he also tells Cassio to go to Desdemona to solve his problem, and that she will help because she has a good heart she holds it a vice in her goodness not to be more than a requested Iago later turns the encounter into what seems as a secret affair between Desdemona and Cassio, which does not please O thello at all.In conclusion Iago is portrayed by Shakespeare as an extremely cunning, jealous, subtle, sadistic racist, motiveless and manipulative devil-like human being. Who jumps at the opportunity to use anything to help him reach his goals, which in to destroy Othello, his relationships, and the friends who surround him. Iago symbolizes evil in everyway, though not the typical evil of brute anarchical strength, but the tactful evil which is much more productive with its method, to psychologically destroy a person through preying on their weaknesses.The audiences response to this portrayal ranges from interest, awe, shame and disgust. Iago interests the audience with his plans and how he implements them, he awes the audience with the magic like power he has to manipulate characters to their own destructions, and Iago disgusts the audience by how he revels in his mordant plans, and the anarchy he implements.